How did you be become interested in food and the city?
The way I teach architecture is basically that architecture is to do with everything: it’s not just buildings but it’s also cities and everything else in our environment. My question was, how can I get students to engage with the mess and reality of building? The answer that suggested itself to me was food: food shops, markets and so forth. I have always been interested in food, reading books about food history and so on, so it seemed obvious. I realised that this was an idea I wanted to explore in more detail, and so finally I decided to stop teaching to try to explore cities in this way that I felt was relevant. I thought, what would happen if I tried to explore cities just through food. And the minute I struck upon this, I was just phenomenally excited. I joined the London Library and typed ‘food’ into the subject index and took out the first ten books which came up.
Tell us about your first book, The Culture of Food?
This was the first book I read, and it’s a summary of European food culture; what these cultures are, and where they came from. An example of the kind of thing Massimo Montanari talks about is how the Romans became farmers. Because they had an urban civilisation, and a lot of urban ideas, they were forced into creating an agricultural economy because that’s the only way you can really feed a city. They couldn’t understand why the Germans in the north of Europe didn’t become farmers. Montanari explains that this is because the Germans were forest dwellers who prioritised hunting, and therefore meat eating. This difference generated profound cultural differences. For the Romans the cultivated land around the city, the ‘Ager’, was seen as sacred, and also a part of the city, and they saw the wilderness as a bit dangerous and basically useless. The reverse is true of the Germans, who saw the wilderness as their home: they lived there. There was a complete clash of conceptions of land, identity and even gods. It’s just such a fascinating thing that there are these extraordinarily powerful, deeply buried understandings of who we are and what we are that can be understood through how we feed ourselves. I was unbelievably lucky to have come across this book first.
On to your next book, Man and the Natural World.
Having read a huge number of books for my research, I find that some books just stand out as just being beautifully researched, or so scholarly that they are revelatory. Man and the Natural World is one of those books. It’s written in that level voice of someone who really knows what they are talking about. The book deals with what it says on the tin: the relationship between man and nature. He actually focuses on a particular period of English history, from 1500-1800, a period which is particularly interesting for me, since it deals with the rise of urbanism, the agricultural revolution, and shifting perceptions of people’s relationship with the land.
What episodes stand out in the book?
The way he describes the rise of vegetarianism as a movement which arises when people start to question their relationship with the natural world, is particularly interesting. The view in early modern England, before the agricultural revolution, was that cultivated land was beautiful and that the transformation of the landscape that was taking place in order to feed cities was a good thing. But as the agricultural revolution kicked off, people began to see the encroachment of urban influence on to the natural landscape as a bad thing. He talks about the rise of pastoralism, which is this extraordinary movement that extols the virtues of the countryside, something better and purer than cities. Vegetarianism and early environmentalism are the implications of this.
What do you think of the idea that urban development is a bad thing?
Well, I do think it’s incredibly important that we retain a sense of being part of nature. But I’m interested in why it is that living in cities has been associated with distancing ourselves from nature. It’s not a new thing, if you go back to the Romans, they are already projecting a judgmental view of what kind of natural form is good or bad, projecting an urban view on to the natural environment and setting themselves as something separate from it. And yet they still saw themselves as part of the natural world: that’s what making sacrifices to the god of the underworld was all about. The profound separation between man and the natural environment comes with industrialisation, when it becomes clear that we are actually destroying nature. People then start seeing nature as something which needs to be saved, although this still means we are seeing ourselves as something apart from nature. Where we’ve got to now with environmentalism is good. We have realised that we can’t see ourselves as disassociated from nature because we are part of it. There is this growing consensus in the green movement, which I support, that we have to rethink the city as an organic ecology. It will be interesting to see how this develops in the next few years.
Next book: George Dodd’s The Food of London.
This is probably my favourite. It was written in 1856 by George Dodd, a Victorian historian, and is about how the London of his day was fed. The extraordinary thing about The Food of London is that when it was written London was on the cusp of changing. He was observing all the ancient traditions, which came from London feeding itself as a pre-industrial city, coming to an end. For instance, he talks about the piggery in Kensington where pigs were still being bred in the city: there were two pigs to every human! The piggery was only closed down two years before he wrote his book. Likewise, there is this amazing description of the livestock market. He describes the ‘Great Day’, where all the cattle which were being fattened in Islington were driven down St John Street to Smithfield to be sold in the Christmas market. It’s such a strong image; 10,000 livestock in one space in the centre of London – people got trampled because there was no space.
Carolyn Steel is an architect, writer, lecturer, and director of Kilburn Nightingale Architects. She has taught at London Metropolitan University, at the London School of Economics where she was inaugural studio director of the Cities programme, and at Cambridge where she ran her own lecture series on Food and the City. Her book, Hungry City, which won the Royal Society of Literature Jerwood Award for Non-Fiction, examines the relationship between food and the city.