What’s Test Match Sofa’s approach to cricket?
Well, at the moment there’s only one way you can get cricket commentary and that’s through a state broadcaster, who is constrained by good manners. We, on the other hand, can say what we like about who we like.
So you don’t do polite cricket?
No. If something happens that everybody wants to happen, there’s nothing wrong in expressing your delight about it. We’re not one eyed, but if the Australian cricket captain gets out first ball, you don’t have to say, ‘And that’s a terribly unfortunate moment for the Australian captain’, because it’s not a terribly unfortunate moment for the Australian captain, it’s a moment of delight for 54 million right-thinking Britons.
Let’s look at the books…
These aren’t just my choices; I’ve asked some of the other commentators as well. I’ve discarded four out of five from one commentator, but almost everybody agreed on one book, which is Beyond A Boundary by C L R James.
The boundary being some sort of metaphor?
A social metaphor. When cricket writing started it encouraged a lot of upper middle-class snobs to say rather twee things about how charming it was that blacksmiths were bowlers and people who didn’t have to work always batted at number four: a series of tedious stereotypes somewhat reminiscent of Lytton Strachey’s Eminent Victorians.
I was brought up with that tradition, but also at a time when the West Indies were murdering Britain, and these wonderfully athletic, lithe black men were smashing the shit out of a load of public school boys, a spectacle that didn’t square at all with Lytton Strachey or Neville Cardus or E W Swanton.
So, C L R James…
Probably the most famous cricket book of all time, written in 1963, and in it, the most beautiful quote: ‘What do they know of cricket who only cricket know?’ It’s a quote that encapsulates everything that’s important about life and, of course, cricket, because cricket’s full of people who know nothing else, statisticians and bores…
What’s far more important are the things that James is writing about. He’s a Trinidadian, born at the turn of the century, just as Trinidad is being decolonised; slavery’s gone, the country’s experiencing this hang-over from the Empire. There are still cricket clubs based on the colour of your skin.
Reflecting the imperial politics of cricket?
Imperial politics and cricket are inseparable. It’s the sport of Empire and, unlike other sports, it’s extremely limited in its range of interested countries. It just so happens that those countries are enormously influential: England, Pakistan, India – over a billion people there – Sri Lanka, Bangladesh, New Zealand, Zimbabwe, South Africa, Australia and all the Caribbean islands.
Why is James so keen on the sport of the oppressor?
James is a Trotskyite. He’s talking about cricket as a vehicle for political representation, where the team is a kind of Marxist collective, with each member performing a different role in the group. And that’s particularly relevant to a team like the West Indies, made up from a group of independent countries, but discovering its identity through this kind of co-operative: a spin bowler from St Lucia, a wicketkeeper from Trinidad, a batsman from Barbados. They all have equal importance while being totally different, and on the cricket field, too, you can be equal to the white man who has controlled your society.
A book about liberation through sport?
>And so learned. Get this: ‘T S Eliot is of special value to me, in that in him I find, more often than elsewhere and beautifully and precisely stated, things to which I am completely opposed.’
Next book?
A Social History of English Cricket. Derek Birley points out a series of very interesting facts, not in a dry way but in a very easy to read way, starting with the fact that cricket began as a betting game in which one aristocrat would bet another that he could score more runs with the aristocrats doing the batting and the servants doing all the bowling. They’d place huge sums on the result.
It was also a game which divided the gentleman amateur from the paid professional. The gents would go out to play from one door, and the professionals from another. They’d approach the wicket from a different gate, and each side would have both gents and professionals. Except that when a celebrity amateur like Dr W G Grace appeared he was not, of course, playing for free. He’d get appearance fees and he’d be put up in lovely hotels.
It’s such a brilliant read. It takes you through all the main blow-ups of cricket – the Bodyline series, the South African crisis - and on the way there are lots of cursory asides, not doctrinaire. not done with malice, but gentle academic dismissals of cretinous fat boys through English history.
Third book?
The single most exciting moment in English cricket was almost certainly the Bodyline series of 1932-33. To give you some idea of just how exciting, it almost led to the cessation of diplomatic relations between England and Australia. It went right to the very top. So my second book is a biography of the English hero of Bodyline, Harold Larwood by Duncan Hamilton.
What was Bodyline?
Briefly it was a technique designed to combat a single Australian batsman, Don Bradman, who, a couple of years before the 1932-33 Bodyline tour, murdered the English team on their own ground. Bodyline was developed after cine footage of Bradman suggested he didn’t like a short high ball aimed at his chest, so the English got a young fast bowler in to deliver exactly that kind of ball, right at the ribs.
Daniel Norcross is a playwright and screenwriter. In 2009 he launched Test Match Sofa, an alternative cricket commentary, available on the internet with listeners in 134 countries. A blend of comedy, real-time sports commentary and farce, Test Match Sofa regularly exploits the considerable talents of comedians Miles Jupp, Andy Zaltzman and Dominic Frisby as well as a host of ex-international cricketers and unemployed fantasists.