You’ve just finished reading The Shooting Gallery by Gaz Hunter.
Yes, obviously Gaz Hunter is a pseudonym. I know the guy well, I know his name but I am not going to mention it here. He did quite a lot of service in the SAS, he’s very experienced. He was at the Waco Texas massacre where the cult leader held all those people and eventually they burnt the place down and killed about 100 of them. It was a terrible event and he was there as an adviser. He also left the SAS for a while and went to Afghanistan to train the Mujahideen and he ended up on the frontline with them fighting the Russians in the early 1980s.
So with this book, The Shooting Gallery is a nickname. He was in the Green Jackets when he was a young soldier and he was in Northern Ireland when things were pretty hot in the 1970s in Londonderry. Because they were always getting shot at they called their camp ‘the shooting gallery’. But he doesn’t just talk about Ireland; there are lots of other interesting things in the book as well.
With regards to espionage, he writes in detail about the regiment’s involvement in going over the East German border into the Russian-occupied East Germany and doing surveillance on Russian installations and spotting where equipment was being stored. So there was lots of covert driving about at night which makes it all very interesting stuff.
But is he giving secrets away, because I know that in your book, Soldier ‘I’, you are very conscious of not giving anything away and protecting your code of conduct?
I must admit I hadn’t read about that side of the regiment’s work in a book before this but then again the Berlin Wall has come down so he isn’t giving any active secrets away. This is about the past, things like looking at how they could spot equipment even though it was covered in tarpaulin.
I know you are a big Ian Fleming fan so let’s talk about your second choice, Doctor No, which was one of your early inspirations.
Well, this is the one where James Bond has to go out to Jamaica and investigates the disappearance of Strangways, the head of Station J in Kingston. What I really like about all his books is the attention to detail. It was all based on his experiences when he worked for naval intelligence during the war. He could use terminology like Sit Rep. Many people had never heard of Sit Rep before but in Special Forces if you want to know what’s going on in a place you ask for a Sit Rep, which means a situation report. And then there is all the specialised equipment which you can get from Q. We have the same set-up in the SAS called Ops Research, where all new gadgets are tested and demonstrated and taken out into the field to be used, so he really was writing from real life experience.
How did he inspire you?
Well, it didn’t make me want to be in M16. You have to be pretty intelligent and a public school boy for that. I just had a standard education. But it certainly inspired me to want to go out and have an adventure. When I first heard of the SAS when I was out in the Middle East in the 1960s it sounded as near to that kind of James Bond lifestyle that you could get.
Your next book is Bravo 2 Zero, which is written by a friend of yours, Andy McNab.
This is an excellent book all about survival. That is the survival of the human spirit against adversity. When the chips were down Andy and the other men with him had to escape and evade detection across hundreds of miles of open desert in the extreme cold before they could get to safety. And they weren’t really equipped for that kind of harsh weather.
What happened was they were sent behind enemy lines to do what we call an OP, which means an observation post on an MSR – main supply route. They were really looking for the movement of Scud missiles because you can put a launcher on an articulated truck and it moves across the desert. Unfortunately, they were dropped off in the dark and when it became light they saw that they were practically on top of an Iraqi position. So they were compromised and the balloon went up and they had to what we call bug out, which is when you have to get all your equipment together rather sharpish and make a run for it!
They made a run for it and it was a good few days before they made it to safety. All the time they were being pursued across the Iraqi desert in vehicles and Andy and his gang had to escape and evade, which we are trained to do as part of our SAS selection. With lesser men, the whole lot of them probably would have died. As it was, one of the guys froze to death but nearly all the rest either escaped or were captured. In Andy’s case, he was captured and tortured and held until the Iraqis ran the white flag up. So this is a real survival story. The guys who escaped and are alive today had all done SAS selection and were fit guys so they are around today to tell the story.
I know that many of you from the SAS say that it is really impossible for civilians to understand the type of situations you go through, but can you try and describe what it is like.
Well, I’ve never had to escape and evade but other hardships are things like when you are on a mission like one I had of retaking a plateau where I was in the full heat of Arabian nights. It was hot at night and during the day it gets up to 40 degrees. There isn’t enough water and then on top of that you are lugging all this really, really heavy equipment about – normally uphill.
It’s again another survival of the fittest exercise. If you’re not fit you’re not going to get up there and you will be left behind. The SAS being a macho organisation, you don’t want to let your mates down.
Pete Winner, codenamed Soldier ‘I’, spent 18 years in the SAS and survived the savage battle of Mirbat, parachuted into the icy depths of the South Atlantic at the height of the Falklands War, and stormed the Iranian Embassy in London during the hostage crisis 30 years ago. He says MI6 is for the public school boys, and the SAS is for men with an ordinary education who have the strength and determination to seek adventure, survive and come back smiling. He describes his work as involving no publicity, no media. ‘We move in silently, do our job, and melt away into the background.’