FiveBooks Interviews

Peter Ackroyd on London

The historian and biographer of London picks five books that shine a light on parts of this vast, complex and confusing city where, he says, pathos and pantomime meet

How would you describe London to someone who has never visited it before?

It is a vast, complex and confusing city which has existed now for 2,000 years. It was described by William Blake as “a Human awful wonder of God”, which suggests the sacred or sacramental aspect of the city. But, of course, it is also a place of power and a place of money. London has been built upon the imperatives of money and power. That is its real raison d’être. It is not a formal or elegant city. It has not been built to accord with the wishes of its citizens. It has had a sort of natural organic growth which has taken a thousand different forms.

You have lived in many of the different areas – where would you tell a visitor to go?

I would tell them to go to Clerkenwell and to the East of London and to the City of London and to avoid the West and the tourist parts.

Let’s look at some of the books which explore your passion for London. Your first choice was written during the reign of Elizabeth I – A Survey of London. It is the first survey of its kind ever published. How has it helped you with your work?

Well, it has helped enormously. When I was preparing myself for the book I wrote about London – London: The Biography – I read it carefully from page to page. The first edition of A Survey of London was published in 1598 when John Stow himself was then past 70. It is a monumental and magnificent work. He had always lived in London and he was interested in every particular thing connected with his native city. Nothing escaped him. He remarks on the sports and pastimes of Londoners, the towers and castles, the gates in the wall and the fresh water supply. And he goes ward by ward through all the streets of London describing their characteristics and their history. He was a great antiquarian of London, too, so we get a picture of not only Tudor London but also medieval London because it still survived in his lifetime.

So he was very good at peeling back the layers and revealing different parts of the city.

Yes, that’s right. He was able to see beneath the crevices and was able to judge and describe the underlying structures of the city.

What was one of the most interesting wards that he described?

I liked the Cheap ward, which I suppose now would be part of Cheapside. He writes things like, “Then near to the standard in Cheap is Honey Lane, so called not of sweetness there of being very narrow and somewhat dark, but rather of often washing and sweeping to keep it clean.” That is the sort of detail at which he excels, where the daily life of the people also comes to life.

Another favourite author of yours is Charles Dickens. You have written a biography of Charles Dickens as well as other books exploring his work – so what made you choose Bleak House?

Well, Bleak House is the work which most powerfully suggests the darkness of London, the close-packedness of London, if you like, where everything is connected to everything else. It is a London world where people are tightly bound together with ties of duty and ties of love and charity. And yet at the same time this London world is so perilous, so cruel and so close to death and disaster all the time, that you fear for the characters in the novel. The rich and the poor, the sick and the well all mingle together, which is one of the themes of the book. It is a serious London, full of mysteries of the past and mysteries of origin. In all respects it conveys a haunted city, half pantomime-half graveyard, and full of ghosts and unseen presences.

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About Peter Ackroyd

Peter Ackroyd is an award-winning novelist, broadcaster, biographer, poet and historian. He is the author of London Under and the bestselling London: The Biography and Thames: Sacred River. He has won a number of accolades including the Whitbread Biography Award, the Royal Society of Literature’s William Heinemann Award, the James Tait Black Memorial Prize, the Guardian Fiction Prize and the Somerset Maugham Award. He holds a CBE for services to literature

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