FiveBooks Interviews

Turtle Bunbury on Family History

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The Irish-based writer says studying families is a fascinating way to learn about the past, and tells us about the books that have inspired his own investigations

You did your first interview when you were 13, with a 97-year-old granny who told you about her Irish childhood. Was that what got you interested in family history?

That really blew me away, because I went to talk to her about the Easter Rising in 1916 and I couldn’t get her off the subject of the Boer War, which happened nearly two decades earlier. I was amazed that there were people still alive who had lived through something which had happened so long ago.

So you were interested in the idea of living history, and learning about history from the people themselves, which is reflected in your series Vanishing Ireland where you talk to different people all over Ireland about their lives.

Yes, I love to talk to people and bring history to life that way. I also grew up in a historical house with lots of portraits, which used to follow me around and terrify me when I was a child. So part of my mission was to find about the people in the paintings, and now they don’t scare me any more.

Your first choice is Wilbur Smith’s When the Lion Feeds, a book which got you hooked on family sagas.

Yes, it is the first of the Courtney sagas. Lots of school boys get hooked on Wilbur Smith, and there are of course grown men who love them too, so he seems to go across the board. I started reading him when I was about 14 or 15, and now the series runs to about 12 or 13 books. I thought it was brilliantly clever. It is like a soap opera where every book is the next chapter of the story.

For those who don’t know, who is Sean Courtney?

He is the hero of the first few books. He was born in the 1860s and lived in South Africa, so his life is nicely timed to coincide with the Zulu risings and diamond hunting and all that. He is quite a respectable old man by the time the Boer War comes along. And he ends up becoming a patriarch to this massive family. I love the whole family dynasty, family saga concept.

It is a good way of relating history.

I think it brings it to life. There is this idea of character traits passed down from generation to generation. When there is a union and a baby is created, and that baby grows up, if the writer is clever he can make it a creation of both its parents.

Next up is One Hundred Years of Solitude by Gabriel Garcia Marquez, which really helped you to write engagingly about family history – how?

This book put a bit of a sheen on Wilbur [Smith] because it is so beautifully written. I just loved all the different aspects of it. There is such inventive language and concepts, and the whole magical realism thing really appeals to me. There is humour as well, and you don’t get that much humour in old Wilbur to be fair! In this book there are seven generations of a family with a very definite beginning and end. It begins with José Arcadio Buendía, who founds the town of Macondo in the Latin American jungle, and the book follows his family over the next 100 years. Each member of the family has pretty obscure things happening to them right up until the extraordinary and brilliant finale.

How has it helped you with your work?

Even though it is a fictional novel, it enabled me to look at family history from a much more stimulating perspective, with family traits cascading down through the generations.

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About Turtle Bunbury

Turtle Bunbury is a best-selling author, award-winning travel writer and historical consultant based in Ireland. His next book, Vanishing Ireland: Recollections of Our Changing Times will be launched in October 2011. The first two volumes of the Vanishing Ireland series, with photographer James Fennell, were shortlisted for the Best Irish-Published Book of the Year Awards in 2007 and 2010

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