Film Noir

By Alain Silver, James Ursini, Elizabeth Ward and Robert Porfino
Image of The Film Noir Encyclopedia
FormatUSUK
Hardcover$45.00 Buy£45.00 Buy

A handsome, arm-straining book which has massive, ambitious coverage. This is an A-Z encyclopedia and is probably the most useful in terms of tracking down more obscure items. It boasts some surprising entries and, as a shopping list to the films you might want to watch, it’s among the best.

Experts who have recommended this book

In an interview on Film Noir

Interview Extract:

Film Noir: The Encyclopedia.

A handsome, arm-straining book which has massive, ambitious coverage. This is an A-Z encyclopedia and is probably the most useful in terms of tracking down more obscure items. This is a book that is very up to date with lots of modern films noirs. It boasts some surprising entries and, as a shopping list to the films you might want to watch, it’s among the best.

But how do you know which ones to watch? Does it rate them?

Well, every one of these books will make you quickly aware that you should be watching Double Indemnity and The Postman Always Rings Twice. Having said that, much of the fun lies in the fact that there are so many of them. A lot of films noirs are on DVD now and you can easily track them down. Once you know the directors and stars whose names are a guarantee of quality – Anthony Mann, Fritz Lang, Cagney, Mitchum, etc – you really can’t go wrong.

I like L’Ascenseur Pour L’Echafaud.

Louis Malle and the French directors of the nouvelle vague took film noir very seriously. Malle asked Miles Davis, who was living in Paris at the time, to come in and improvise the soundtrack to that one, so it’s got that lovely smoky jazz score. Miles Davis just watched the film and improvised as he watched. And again you’ve got the tragic hero…

I love the premise. Of committing a crime and getting stuck in a lift. A cautionary tale.

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About Barry Forshaw

Barry Forshaw is a writer on books and film, whose books include British Crime Writing: An Encyclopedia and The Rough Guide to Crime Fiction, along with books on Italian cinema, and a biography of Stieg Larsson, The Man Who Left Too Soon.