Baiqu: Welcome to The Browser, today I'm with Jodi Ettenberg, who was once a lawyer, then a travel food writer, until she became disabled after a faulty lumbar puncture. Now she writes about resilience, curiosity, and loss on her blog Legal Nomads. Welcome to The Browser Jodi.

Jodi: Thank you so much. It's really a pleasure to be here.

Baiqu: It's so nice to meet you. Jodi actually used to work with us at The Browser and we've been emailing back and forth. But this is the first time that I'm getting to talk to her on video.

Jodi: Yeah, I was made aware of The Browser through Tyler Cowen, who is an ardent fan. He sent me a note many years ago asking me if I had heard about it saying this seems like your kind of people. It was really wonderful to work with the team. I'm sorry

Every week at the Browser we conduct edifying interviews with interesting figures. Today we speak to Jon Ingold, game designer and founder of Inkle Studios — developers of interactive fiction games that have won BAFTA and Independent Games Awards accolades. Here Ingold discusses translating the practice of archeology into a video game, designing branching narratives, and classic text adventure games.

For more interviews, see the rest of our Browser Interviews.

Linda Yu: Could I ask you start by discussing Inkle and some of your projects?

Jon Ingold: Inkle is an independent developer of narrative games; founded by myself and my friend Joseph Humfrey pretty much exactly 10 years ago (Nov 2011). Our original idea was to take what we'd learn in the games industry and apply it to mobile devices and book publishing, to try and make interactive stories for the mainstream, book-reading market — games in disguise.

After awhile, we found

From Arsène Lupin to Elizabeth Holmes we are enamoured with tales of deceit and those who pull off scams—successfully or unsuccessfully.

Below we have dug through our ten year archive to bring you tales that include a Japanese fake-Beethoven, the theft of an entire hotel, landlord-impersonation and polygamist tax fraud.

Phantom Of The Orchestra

Christopher Beam | New Republic | 2nd March 2015

Critics hailed Mamoru Samuragochi as "the Japanese Beethoven", and called his 2003 First Symphony a work of genius. He wrote scores for films and television. His claim to be totally deaf only added to his legend. How could he write such music? The answer was that he couldn't. He probably wasn't deaf either. He paid a silent partner to write the music for him. A decade later, the ghost talked and the scandal broke (7,200 words)

The Lion And The Polygamist

Vince Beiser | Wired | 2nd February 2021

Every week at the Browser we conduct edifying interviews with interesting figures. Today we speak to product executive and filmmaker Eugene Wei—whose writing occasionally graces our recommendations—about how we often misclassify choices led by intuition as luck, the benefits of always being a beginner at something, and thinking in infinite timescales despite our finite human lives. Wei is known for his considered writing on tech at his blog Remains of The Day, but here he speaks lithely on the philosophy of film and mortality.

For more interviews, see the rest of our Browser Interviews.

Baiqu: So how did you end up being on this interview?

Eugene: It's funny, I was trying to remember how I first became acquainted with The Browser. I've been a subscriber for so many years that I honestly don't remember how I first heard about it, but it's been part of my daily reading

Uri Bram: I'm delighted to be here today with A Literal Banana. Banana, I know you've got an interest in abstractions – abstract nouns like “trust” and “aggression” and “generosity” – and how they’re worked out in the social sciences. Can you tell us a little more about that?

Using abstractions poorly

A Literal Banana: So the current crisis in the social sciences has mostly been called the “replication crisis,” and people have focused on issues like whether results replicate, on statistical issues like power (for which the intervention is large sample sizes), on things like the “garden of forking paths” as articulated by Andrew Gelman (for which the intervention is preregistration), and on things like direct replication.

And those are important, but I still see studies being done with very large sample sizes that are perfectly pre-registered, and often that describe their sub-experiments as replications of each other, but there’

As medical and technological science advance, the ethical quandaries that our organs raise also increase.

Below we have dug through our ten year archive to bring you articles that cover topics such as kidneys lost in transit, lab grown brains becoming conscious, hackers turning organs into ransomeware and whole human head transplants.

Transplant Organs Missing In Transit

JoNel Aleccia | Reveal | 8th February 2020 | U

Surgeons will personally collect and transport hearts, which survive only four to six hours out of the body. But kidneys and pancreases – which have longer shelf lives – rely for shipment within the US on packing and dispatching by a network of non-profits. They often travel as cargo, with no special status. Some miss connecting flights or end up as lost luggage. “If an airline forgets to put a kidney on a plane or a courier misses a flight because he got lost or stuck in traffic,

Every week at the Browser we conduct edifying interviews with interesting figures. Today we speak to Chris Williamson, who's the host of the Modern Wisdom podcast. For more, see the rest of our Browser Interviews.

Baiqu: So what is Modern Wisdom? Do you feel like there's a lot of wisdom dispensed through your channel? Have you been gaining wisdom?

Ongoing through "manopause" and searching for answers

Chris: I couldn't say that. Definitely not by me, maybe by some of the guests. The challenge that I found was that there's no instruction manual that comes with life. and I went through a "manopause" toward the end of my twenties, where I thought I was this guy who was about partying and status and girls and money and stuff like that. Then I realised I wasn't, and I thought, I don't know how to actually get from where I am to where

QNTM is a software engineer and the author of There Is No Antimemetics Division. Here, QNTM speaks to the Browser's Uri Bram about collaborative fiction, why people with deep and very specific expertise are often great storytellers, and the surprising subjectivity of finding right answers in software development.

[Listen to this interview as a podcast or on Youtube (audio only)]

Uri Bram: Your latest book—which is wonderful—is called There Is No Antimemetics Division. Can you tell us a little bit conceptually about the idea of antimemes?

What is an anti-meme?

QNTM: So if you're reading this, you probably have a reasonable idea of what a meme is, but there are a couple of different colliding definitions of meme these days.

For my purposes, a meme is a contagious idea, which is much more of an older definition than today's conception of "internet meme." It's an idea that catches

She was a chemist, chancellor and widely considered the most dominant figure in European politics of the last decades, but with the close of  2021 Angela Merkel will be taking the position of "retired".

Doubtless many eulogies for her have already prepared in Content Management Systems all across the publishing world, but here we have dug through our ten-year archive for enduring past reads on a woman who was often considered the "de facto leader of Europe".

I Wanted To See The Rockies

Melanie Amann & Florian Gathmann | Spiegel | 11th November 2019 | U

Interview with German chancellor Angela Merkel about life in communist East Germany, the fall of the Berlin Wall, the allure of Bruce Springsteen, and the enduring tensions between eastern and western Germany. “German unification was shaped by both the East and the West, and by Helmut Kohl's political skill. But the revolution was the work of the

Baiqu: Welcome to the Browser Interviews. I'm super excited to be sitting with none other than Uri Bram, CEO of The Browser, and my friend. Welcome Uri.

Uri: It's such an honour to be here. I'm a huge, huge fan of the show.

How do you know The Browser?

Baiqu: So to dive right in, what's your relationship with The Browser?

Uri: I still think this is the luckiest job I've ever had. I was a huge fan of The Browser before I started working here, I read it every day, I told all my friends about it, and then luckily I got introduced to our wonderful founder Robert and we started working together. And now I get to run this company, doing this thing I love.

Baiqu: And doing an amazing job at it.

How long have you been with The Browser?

Uri: I've been running the company for